Monthly Archives: May 2020

Heart Beat

I remember hearing a podcast about how cities have different tempos. Some are slow and methodical (Kyoto comes to mind) while others are on the more frantic end of the spectrum. It has something to do with the molecules within a city agitating each other into a more frenetic rhythm the more busy and crowded a city becomes. I imagine that Shanghai–a city known for its population, nightlife, and neon–possesses the tempo of an ear-throbbing techno song.

A year into living there, I had settled into a modicum of comfort with the city’s pace. The push and shove of the subway’s snaking masses had become second nature. I could weave through a crowd in rhythm to the music on my headphones. Loud yells and bells and blurs of light had settled into a picture that I could make more sense of. It had taken time, but I was finally starting to wrap my mind around the city.

Jing’an Temple, Shanghai

At the beginning of that second year, I bit of more than I could chew at work. There was an ambitious initiative that needed a lot of groundwork to be laid. Free moments were spent thinking, planning, scheduling, writing. As my picture of the city started to settled down, my internal tempo began to quicken. Work, like it had done before, began to seep into the free moments of my life. But still I’d plan outings into the city that felt more like missions–trips with a deliberate purpose in mind.

A lot of time in China seemed to be spent in large malls. There were endless floors of shops with restaurants always on the upper levels. Massive ornate displays of Jeff Koons-like contemporary art seemed always on display. The malls were always sparkling clean and milling with people. Whirring cogs of commerce.

It was during one of these forays into a downtown mall that I picked up a new Garmin GPS watch. My old one had developed problems after a year, and for some reason I found myself buying another one of their unreliable watches. This time I stood at the kiosk staring down at a model of watch that shot green lasers onto the upper part of the wrist to somehow detect your heart rate. This was a feature that I had no use for. At frequent times I resented the watch that I did have, and questioned the wisdom of even tracking my miles in the first place. At the same time, I felt the anticipation of regret if I didn’t shell out the extra money for this slick feature. Besides, I was a modern man living in a modern city. I deserved something a bit more classy. In the end, I got the watch with the heart rate monitor.

That Monday at work, I caught the watch face on a doorframe leaving a room and left a little scratch that is still there. My heart sank, and I kicked myself for carelessness. This new shiny device was already tainted. But the laser feature seemed to work, and I continued to check it with interest. Work continued to surround me, and I plugged away through my routine. I’d run, work, gym, eat, work, sleep, repeat. My movements became almost machine-like and I began to assess my routine for inefficiency. Everything began to feel like clockwork. My running times got faster. I had a treadmill in my kitchen that I could hammer out a 10 mile run on in an hour and ten.

And then I began to notice something on my watch. The resting heart rate was low, under 40 beats per minute. On some days it was at 32. Just for reference, a healthy heart rate is between 60 and 100. A small pit began to spin together in the pit of my stomach. I had heard of athletes’ heart rates being lower, some even around 40, but this seemed abnormal. Of course I ignored it, and jumped back into the routine. Run, work, gym, eat, etc. etc.

But the heart rate stayed the same. And the pit in my stomach spun into something a little larger each day. I decided to see my doctor–a chilled out Californian who had pictures of himself doing yoga on the wall. His bedside manner was some of the worst I’d seen in the industry. He’d make a noise like, “hmm…” and then give a long pause, letting you really soak in the silence before he’d say “oh yes this is common.”

But he was kind and competent, and I can be fiercely loyal to even small hints of kindness, so I found myself going back to him for issues that arose. I found myself in his small office showing him my watch and asking him about my heart rate. He paused for many moments with a puzzled expression before suggesting, “well we could do an EKG?” The statement was poised in a way that could have either been whimsy or medical advice. Either way it was covered by insurance, so I found myself in another small room, electrodes being placed onto my chest. I put on my shirt, walked out into the lobby and waited. There is a vulnerability to waiting rooms. The quiet anticipation of judgment from the doctor while what feels like judicial deliberation is happening behind closed doors. As if there’s a panel of people in a huddle back there whispering, “Will we give this one good news or bad news?”

My name was called, and it was back into the small room, my racing mind bracing for the worst. This suddenly felt like a very real test that could throw some very real truth my way. The doctor looked inscrutably at the test and said the words “incomplete right bundle branch block” and then looked at me and really let them sink in. In addition to sounding like a bad grade school tongue twister, it also sounded terrible in conjunction with the heart. Something was blocked? Something was incomplete? What the hell was going on here? Maybe he detected my panic, or maybe not, but he decided with nonchalance to fill me in. “It’s common. It could be the result of an infection when you were little. A lot of people have this. It’s probably nothing to worry about.”

Probably: that word that lodges itself into your brain and then slowly starts to needle. It’s a seed of doubt that spreads slowly over time. There’s a strong chance that everything is fine, but the probably is always there, tugging at your pant’s leg. The doctor definitely sensed my inner panic this time and said with atypical assertiveness, “Maybe we should do a holter test to make sure.”

I came back the next day to get outfitted, the thirty minute ride in the DiDi (think Chinese Uber) was starting to feel common place. I went to work and then I went to the doctor’s office. The receptionists were starting to recognize me. I felt a sick comfort in my “regular” status.

Wearing a holter is like wearing the most obvious wire in the world. It’s a box with electrodes that stick to the chest. I walked around for a day like the world’s worst spy. Yet still nobody noticed the outline of wires under my shirt, or the chunky remote control in my pocket. The results came via e-mail a few days later and were concerning to my eyes. My heart rate was getting down to 29BPM. At no point did it exceed 120BPM. It stopped for 2 seconds or more over 105 times. The report included words like “sinus arrest” and “junctional escape.” And at the very end the words, “Suggest to see a cardiologist for the further assessment.”

I distinctly remember listening to Bill Callahan’s incredible tune Too Many Birds as I walked up to the specialized clinic high rise in the glowing metropolis downtown. I listened to that song on repeat a lot at that time. My headphones kept out the city’s ambiance and I could focus on the songs groove. The bass and drums low-key churn providing a backdrop to Callahan’s guttural deadpan that delivered gut-punch lyrics with a soothing unhurried tempo. The premise of the song is simple: a tree full of birds. Eventually there isn’t room for the last bird. I don’t know why he picked this image, but it’s a striking one. “One last bird and then another.” And then he builds the final line, saying it again and again, adding a new word each time: “If you could only stop your heartbeat for one heartbeat.” The line is a question and a statement and a yearning all in one. With that line ringing in my body, I walked into the clinic to see the cardiologist.

Yes, I’m aware that it’s messed up that it took a GPS watch to tell me that something was wrong. As an ultra runner, I spend lot of time checking in with my body for aches and pains, things to tune up. But these micro issues are sometimes pointing to something larger. It’s easy to get caught in the tempo of what surrounds you. The noise and rhythm can get so loud that you forget all about the drum that is causing them.

In the end, the cardiologist said that there was nothing structurally wrong with my heart. She said that I should exercise less, only 40 minutes a day (advice which I promptly ignored). My heart went from something that I was constantly monitoring, trying to sense signs of danger or abnormality, to something that I could once again leave to its own devices.

I still wear the watch–it cost a small fortune after all–but I find myself checking it less and less these days. My pulse returned to more normalcy after that chaotic year. I always had a hunch that it was stress related, the compaction of responsibility and schedule squeezing my heart beats into forced efficiency. It’s becoming easier to carve out time for the important things in life that allow space for the molecules to roam. Maybe its Jeju or maybe it’s more of an inner change. Either way, I find myself wandering in my free time a lot more, letting time unravel at its own pace. The scratch on the watch face doesn’t even bother me anymore.

Nighttime dancers at Fuxing Park

Recommended listening: Bill Callahan Too Many Birds

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White Water

Another wave rolls me over. The disorienting spin and roar and eyes closed and slight panic, because the board could be anywhere and could hurtle towards me and nail an arm, a leg, a hip or worse a skull. I hold my arms over my head and let my body spin in those tense few moments.

Surfing has hit a plateau. The sessions feel less productive, and the last three times have either been on waves too small to be fun, or on big unpredictable undulations that peak unexpectedly. There are long periods of floating and staring and then a clean wall of water is cresting in your direction and you better grab it or its going to crash onto your face.

The board feels more comfortable, but the moments when a wave takes me are still insecure, usually resulting in trying-to-do-everything-at-once shut that leaves me flailing around in a charging wall of water. The move from pure beginner to approaching intermediate feels like a long path at this point.

Today was a foggy session. There was a large group of surfers out, but they were more quiet than usual. Perhaps it was a reverence to the eerie fog that enveloped the scene. It was like floating in a flashback memory where the edges blurred until complete fade out. Strong silent waves rolled in one after another, cresting and occasionally carrying the surfers around me toward the shore. I’d look back and see them floating away behind cresting waves. There was a wave-pool effect though, and currents flowed in every direction, diffusing good waves at strange moment. I caught a few, but others picked me up and manhandled my board and I. A few seconds in the spin cycle.

And that’s how life has been lately. Lots of unreadable waves on the horizon of too many shapes and sizes to make any sense of. World news has far too many factors to detect a pattern or clear path forward. The logical mind needs to shut down and wait to see what is given and what develops. Some days feel calm and manageable, and some are heinous and relentless walls of water that are over my depth. Sometimes there’s nothing to do but to cover my head and ride the wave out, hoping that I’ll be unscathed after the white water rolls by. These are the extremes of trying to make sense of a global pandemic.

But still, when my feet touch the sand and I drag my board back to the car, there’s a slight feeling of accomplishment–a hint of progress. I’m sure I’ll find myself back in the water tomorrow, scrutinizing the horizon.

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Phoenicia

Jeju May morning, and the rain drags across the island catching on the newly green leaves and blossoms. They shrug it off from time to time, letting loose big drops that splatter with a satisfying crystalline plops. Multiplied by hundreds.

Billy, an old NYC band member from The Red Rogue got in touch the other day, added us all on an email thread. He suggested we collaborate on a song, if I could send something along. I was invigorated by the idea, the guitar on its stand next to my couch winked at me with possibility.

But when I sat down to write, nothing took shape. In this compounded world, it’s feeling hard to find creative rays. But in reality, it’s been tough to write songs for years. The carefree 19-year-old days when a song could just pour out seem long gone. I strummed the guitar. Found a few good chords. Tried to think of words, hit a roadblock, gave up.

The Red Rogue played our first gigs in seedy lower Manhattan bars, then a little farther up at the Sidewalk Cafe, and then expanded our radius to Brooklyn and upstate. We’d break out our instruments on the Staten Island ferry on the way back home, Carolyn smiling over her accordion, Evan hunched over his mandolin, Billy tapping out a beat with a goofy grin.

An hour with a guitar and a notepad could produce a song then. The band would throw down parts and we were running with it. There was an audacity to our approach, and we were grabbing any music that we could get our hands on. Some influences that come to mind now are: The Band, The Pogues, The Replacements, Leonard Cohen, Patsy Cline.

But the world complicates. As leaves grow and fall and grow again, the branches and roots lengthen. We kept the band going for a bit after college, then eventually I needed to get out of NYC. The city had become overwhelming, constant worry about money, sacrifices of time and commute and living situation for what? The future was slowly starting to set in.

We got together for about a week in an upstate New York cabin a few years after that to record again. The town was called Phoenicia. It took engineering our lives, making arrangements, lots of e-mails. But we made it happen, deliberately setting aside the distracting world.

The NYC contingent of the band rented a van for equipment and made their way up from the city. Colby, who was producing the album, and I drove down from Maine. He was blaring old gospel tunes on his tinny Jetta speakers–songs from Hank William’s alter ego Luke the Drifter. We met up with the others in an empty church parking lot, the peeling white paint on the steeple, and made our way to the cabin.

There was a tree down across the driveway. It had taken out the power line. Shit. Calls to the AirBnB owner as we got it sorted. We went into town to a gem of a restaurant called Mama’s Boy for hamburgers and coffee, our unofficial home base for the week. The power was restored, and we claimed our beds for the week.

And then we hammered out the album. Wires ran to every room in the cabin from the central brain of Colby’s mixing console. We recorded onto tape, we wanted to capture this authentically. And in our free time we swam in the stream on the property and laughed and drank. And then we scattered back to our lives, me to Jeju, a few to New York, Colby to Maine. For just a little while, everything peeled back.

There’s so much in the world engineered to derail your creative momentum. When I really think back, the songs didn’t come easy then either. They were a suspension of the world, a deliberate setting aside. You need to open up a space big enough to get a few clear ideas in before the clouds crowd in again. I’ll keep trying to hold it back long enough to get song down. And sometimes it starts with something as simple as listening to the rain.

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The dragged feet of travel

The dragged feet of travel
Brought sand to my doorstep
Like a wind from the west
Churning the present into
New realities

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